内容摘要：Every year, especially when the strong winds whip up the sea in November and December, water fills the streets and enters the homes. Climate change isn’t only leading to a rise in sea levels, but it’s also warming oceans and thereby powering stronger storms.

Every year, especially when the strong winds whip up the sea in November and December, water fills the streets and enters the homes. Climate change isn’t only leading to a rise in sea levels, but it’s also warming oceans and thereby powering stronger storms.

The fight, which has led to UMG pulling Salt-N-Pepa’s music from streaming services, comes as many artists with beloved legacies are making lucrative sales of their catalogs, while others get stuck in classic record-label battles over old contracts.“UMG has indicated that it will hold Plaintiffs’ rights hostage even if it means tanking the value of Plaintiffs’ music catalogue and depriving their fans of access to their work,” the suit says.

UMG representatives did not immediately respond to an email seeking comment.The lawsuit suggests that situations like Salt-N-Pepa’s are the very reason the provision of the copyright act exists. It allows artists who made deals “at the beginning of their careers” when they were relatively powerless to use the cultural standing and musical legacy they later established.The suit says James and Denton filed to terminate their agreement under the law in 2022, “eager to retake full ownership of their art and legacy,” but that, “Inexplicably, UMG has refused to honor” their rights.

James and Denton say that by law, they should now be able to own early recordings including those from their 1986 debut album, “Hot, Cool & Vicious,” and 1987’s “Push It,” a B-side whose remix caught on and became their breakthrough hit.They say other recordings should legally be theirs later this year and in 2026, including the 1993 album “Very Necessary,” which includes “Shoop” and “Whatta Man.”

The duo is seeking both actual damages for money lost and punitive damages in amounts to be determined for UMG’s actions. The suit says actual damages could “well exceed $1 million.” They also want a permanent injunction confirming their rights to the recordings.

They said by pulling the songs from streaming and other commercial platforms, the label has “maliciously punished” Salt-N-Pepa “for daring to assert their rights.”Daboll didn’t detail the nature of the injury, but said Nabers didn’t need any procedures on his toe during the offseason.

“They have a plan,” Daboll said. “Our doctors, our trainers, if you will, have a plan to kind of move him along and he’s been doing a good job with that.”Nabers was the sixth overall pick in the NFL draft last year after setting LSU’s career record for yards receiving with 3,003 in three seasons. He followed that by catching an NFL rookie-record 109 passes for New York last season, setting the franchise mark for most receptions in a season. Nabers also tied former Giants star Odell Beckham Jr. for the NFL record for fewest games needed for 100 career catches, reaching the milestone in just 14 contests.

He was able to accomplish that despite having an unsettled quarterback situation last season with Daniel Jones, Drew Lock and Tommy DeVito all starting games.Russell Wilson, signed to a one-year deal worth up to $21 million with $10.5 million guaranteed, is