内容摘要：“It’s become a remorseless race for military one-upmanship,” he said.

“It’s become a remorseless race for military one-upmanship,” he said.

in Beirut’s southern suburbs early Tuesday, killing at least four people in an attack it said targeted a member of the Hezbollah militant group. The airstrike came just days after Israel launched itson the Lebanese capital since a ceasefire ended fighting between Israeli forces and Hezbollah in November.

Palestinians in the Gaza Strip, meanwhile, report finding itas bakeries were closing due to lack of flour and fuel. Israel says enough food entered Gaza during awith Hamas to sustain the territory’s roughly 2 million Palestinians for “a long period of time,” but the U.N. says its stockpiles are critically low.

For the past month, Israel has not allowed food, fuel or humanitarian aid to enter Gaza to pressure Hamas — a tactic that rights groups say is a war crime.U.N. spokesman Stephane Dujarric said the United Nations is “at the tail end of our supplies,” forcing the U.N. World Food Program to close all 25 of its bakeries in Gaza because of a lack of flour and cooking fuel.

“WFP doesn’t close its bakeries for fun,” Dujarric said.

He said the food situation remains “very critical” since Israel closed all crossings into Gaza a month ago, cutting off all humanitarian deliveries.that it is an “absolute movie triumph, a soulful sweet-sad animated journey that may have your kids asking why you’re tearing up so much.” He also noted the striking visuals, “a textured world that is almost painterly. You can see snowflakes settle on mottled fur, moss on rocks, individual leaves in a den.” It’s a shoo-in for an Oscar nomination.

— Zoë Kravitz’s directorial debutwill be free for Prime Video subscribers starting Jan. 21. Channing Tatum plays a tech mogul who flies cocktail waitress Friday (Naomi Ackie) out to a private island where strange things start happening.

called it a “stylish, ambitious, buzzy film that seems to aspire to be a gender-themed ‘Get Out,’ or a #MeToo-era thriller with echoes of ‘Promising Young Woman.’” Kravitz, she added, “almost pulls it off.”— Julia Louis-Dreyfus plays a New York writer who accidentally overhears her loving husband’s (Tobias Menzies) brutally honest assessment of her new book in