内容摘要：They say it calls for a 60-day pause in fighting, guarantees of serious negotiations leading to a long-term truce and assurances that Israel will not resume hostilities after the release of hostages,

They say it calls for a 60-day pause in fighting, guarantees of serious negotiations leading to a long-term truce and assurances that Israel will not resume hostilities after the release of hostages,

This year, he’s celebrating the 30th anniversary of his career with a new compilation album, “Duets,” featuring both previously released and brand-new collaborations of his best-known work — as well as a few surprising contemporary covers — and the release of a new concert film, “Andrea Bocelli 30: The Celebration,” which will arrive in theaters on Friday.“I’ve loved voices since when I was a child, and I like very much to share the stage with the best artists and voices. So, this album, there are the best duets that I did in my life,” he told The Associated Press. “From the first, ‘The Prayer’ with

until the last, likeand many, many others. And the album has been remastered and remixed. So, I hope the sound can be better.”He says: “The most important thing in voices... is to be recognizable, to give emotion.”

Sheeran was an interesting collaboration because when Bocelli first attempted to sing “Perfect,” the English singer-songwriter wasn’t a fan. “He didn’t like what I did because I sang in a pop style,” he recalls. “He wanted to listen to my voice, like in an operatic style.” So, Sheeran traveled to Bocelli’s home in Tuscany, and the song was transformed. “He was right because this song had a huge success.”When asked if there is anyone he would’ve loved to add to the “Duets” collection, Bocelli says of course — but “they passed away before I began to sing. For example, I would like very much to sing with

or (Renata) Tebaldi or Magda Olivero. Many great, incredible singers. They are not anymore with us, unfortunately.”

Three decades into his career, Bocelli has performed for presidents,“We are all just a hair’s breadth from losing everything, all the time,” Muriel is told by a woman also hiding her truth in plain sight.

But despite a brilliant performance by“On Swift Horses” gets lost in a meandering plot and clunky symbols, including olives, atomic bomb tests, a tiny gun and a horse, the universal sign of the unbridled self that is just sort of dumped here. The execution is often slack and then veers into melodrama in the last 15 minutes. And there’s a weird noir vibe that doesn’t really work.

Jacob Elordi, left, and Diego Caliva in a scene from “On Swift Horses.” (Sony Pictures Classics via AP)Jacob Elordi, left, and Diego Caliva in a scene from “On Swift Horses.” (Sony Pictures Classics via AP)